It’s common literary practice to use the people around you as inspiration for fictional characters. Sometimes, truth can be more interesting than fiction, and, as writers, we come across people who give us inspiration for a story to tell. These truths might mean more than what one can think up from scratch. Many authors have used the facts of the...
by Jamal Stone “Don’t copy that floppy!” A now-hilarious battle cry from 1992 emblematic of technology’s breakneck pace. Today, floppy disks are obsolete doodads, uncovered only when clearing out one’s desk space. Technology doesn’t look back. Go ahead and copy one. But no one told us not to paint on floppy disks. Enter Nick Gentry,...
by Carla Dominguez Misery lit is a strange genre. The term, ostensibly coined by The Bookseller magazine in the late 2000s, is used to describe biographical literature mostly concerned with the protagonists’ triumph over personal trauma or abuse. Although misery lit as a genre encompasses many types of traumatic stories, the most common storyline is about someone’s life as a child: children with...
Check out new work by Broad Street contributor Maggie Messitt, whose essay “Ukufa” appears in our current issue, Hunt, Gather. In “North 20°54, West 156°14,” newly posted at the Bending Genre blog, Messitt traces the mystery of a disappeared aunt through a series of maps, both real and virtual. Surveying the maps tacked to her...
Thanks to Longreads we recently came across this Guardian reprint of a fascinating 1967 piece written by Danny Fields for the now-defunct rock magazine Hullabaloo, outlining a series of encounters between Andy Warhol and singer “Mama” Cass Elliot of The Mamas and the Papas and other seminal acts. In a few fleeting scenes Fields charts the...
