“My Life in Pantyhose,” from Writers on the Job, by Susann Cokal.
“I used to counsel young women never to do two things, or not to do them in conjunction: 1. learn to type; 2. buy pantyhose.” Could we talk to you about pantyhose? Or rather — could our editorial director, Susann Cokal, talk about them? Below, you’ll find the link to an essay about their storied past, their...
What writers will do to keep paper and pen together …
This month, we celebrate the publication of From Pantyhose to Spandex: Writers on the Job Redux. The book is a veritable cornucopia of odd true tales about zany jobs that writers do to keep the ink flowing. And it happens to feature some of Broad Street‘s authors. The editors, Thomas E. Kennedy (“Prix Fixe,” from our...
Illustrating the Poem that Records the Dream: An Interview with Collaborators Judith Serin and Masami Inoue
“Dreams seem to like it when you pay attention to them, and they get more and more vivid …” At Broad Street, we’re all about telling true stories in multiple forms. We have big dreams. So do poet Judith Serin and artist Masami Inoue. For some time now, Judith has been working on a series of prose...
The Writer magazine features BROAD STREET.
A dispatch from the Shameless Promotion Department: The March issue of The Writer includes a detailed conversation with Broad Street Editorial Director Susann Cokal about the magazine, its editorial direction and philosophy, and some terrific words about contributors and the upcoming Bedeviled issue. Check it out on newsstands now!
Contributor (and editor) Susann Cokal’s third book receives praise and treats. Read interviews about “The Kingdom of Little Wounds” here.
“Nothing has value until it is given away or stolen.” “In the darkness, fear my light.” —By Jamal Stone Broad Street is excited to see the final copy of our very own Susann Cokal‘s latest book, The Kingdom of Little Wounds. Set in the Scandinavian city of Skyggehavn (Skü-geh-hown, rhymes with “down”) during the Renaissance, the...
